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Another UFO (Revelation Cover-Up)

December 1994
Solo



This show divides its time between speculations about how the public revelation of extra-terrestrial intelligence at work in our world will occur and what the results might be, and a lot of documented indications that our government knows much more about this phenomenon than they are releasing to the public and have actively pursued censorship, cover-ups, and disinformation regarding specific incidents for at least 50 years.


Bob Dean, a retired high officer at NATO, relates the contents of an above top secret document, which he used to sneak out of a NATO vault to read at night. They know all about them. An urban park crash site is sealed tight for 3 days by Brookhaven Lab, abductees remember military personnel in their otherwise other worldly capture, disinformation and freedom of information censorship, noises on the phone, Roswell hovers back with its history of government deception since 1947, and the current congressional effort to get the GAO to get the pentagon to release Roswell records. UFOlogists speculate about the revelation and how its being conditioned, desensitized, diverted, undermined, confused, or otherwise disinformationalized. The TV movie, “Without Warning”, is mixed with Art Bell’s nightly talk show from the night of a famous and forgotten massive overnight surge and loss of electricity across western North America during December, ’94, (never satisfactorily explained, and it was a night of “spectacular” meteor sightings). Prick me with a pin. “Theres no turning back…”


Area 51 is still there and high-powered requests for access are refused, Barry Goldwater can’t get into that hanger at Wright Patterson A.F.B, Alien pecking orders, military abductions, manipulating perceptions, humans may be “some form of farming”, and various species of aliens may be in conflict. The Woodbridge military base encounter, This Big Hush, “Nobody ever happened”, Receptacle phones finally get their turn for quick rounds of farce but eventually we find out some of those callers aren’t what they seem, and the psycho-social problems we face if… IF THIS IS REAL!


5 Hours


Another UFO (Sightings and Technology)

December 1994
Solo



Our second week in December ’94 is devoted to the 50 year history of the sightings, themselves, and the possible technologies involved. From that fateful year, 1947, and pilot Kenneth Arnold’s first airborne and widely reported sighting near Mt. Rainier in which he coined the term “flying saucer” (referring to flight characteristics, not the shape which he described as “Horseshoe” or “crescent-shaped”), to a very recent, extremely rare tape of a radar operator tracking UFO targets over Michigan while hanging on the phone with 911, you hear the bird’s eye accounts of real people seeing an array of craft and propulsion technology in the same sky we hardly notice every day.


The Weatherman is a glowing orange object, someone sneers at my background, extended new looks at how alien craft actually work(!) and who might be flying them, and a wide variety of witness after witness tell their story. Roswell and Area 51 are back, paving the way for the cover-up. This month’s shows begin to overlap at the edges with some material that missed getting in the previous show moving into the next.


3 Hours


Another UFO (Roswell II)

December 1994
Solo



This show began a full month of five UFO shows and deals once again with the event that began the modern UFOlogy movement. After a pre-show announcement about Xing out Christmas, another memo from the Retro-History Project leads to a phone message from UFOlogist Leland Googleburger concerning new information about the Roswell incident and how to find it. This time we focus more exclusively on the saucer crash at Roswell with a lot of new media reference material. The soundtrack to the movie, “Roswell”, is used against various documentaries on the subject and a variety of discussions gathered from radio and TV.


Many more details about the seminal event of UFO history, as well as researchers persistent methods of operation, and the rising tide of official curiosity about what may have happened at Roswell. There is now an investigation by Congressman Schiff of New Mexico attempting to get any Government documents, which may exist relating to Roswell. Meanwhile, Omer Edge is out in the Lucky Muck Swamp again to retrieve a confidential tape from Leland Googleburger who is now an abductee on his way to the Moon. And it appears that both C. Elliot Friday and Sergio Carracus had their sticky fingers on that craft recovered at Roswell. “The truth will come out…”


3 Hours


The Blade Runner Remix

November 1994
Solo



Upon discovering that Vangelis (maker of the theme music which begins every OTE) finally released his original soundtrack to Blade Runner, Scott Riddle hosts a 3 hour remix of the dialog from Blade Runner and all the original and associated music. This is one of my 3 all-time favorite movies and it provides a personally delightful playpen of disconnected sounds and plot. “Do you like our owl?” “More human than human is our motto.” “Wake up, time to die.” Inspired by this extremely effective cinematic creation of a darkly Gothic future so full of gripping ambiance that the plot seems like a by-product, this turned out to be a moody good job of stretching that ambiance out over twice its original length with the help of edits, loops, repeats, and the Receptacle. It probably helps to have seen the movie.


3 Hours


The Experience Remix

October 1994
Solo



An extended, brain-blowing remix of all the known and unknown Jimi Hendrix music I could get my hands on. A continuous, merging, overlapping, multi-channeled intercutting of The Experience, along with sporadic dialog from the Hendrix film, “Experience”, and assorted comments about the ’60s. Lest you become nostalgic, all this is forced through some distinctly new sorts of digital manipulations, contemporary effects sporting settings unknown in Jimi’s day, and a live reel to reel loop delay now extremely rare on OTE, since our new decks make it hellishly difficult to accomplish.


This man was the greatest mutant guitar genius of all time, and this 3-hour, solid music mutilation is a wacky act of total respect. Goes with any psycho-active substance.


3 Hours


Believe Anything

June 1994
Solo



A static filled look at TV and its pervasive effects and persuasions. We channel surf through reactions, analysis, commentary, critique, satire, and demonstrations relating to our national agenda setting medium and its ability to create belief and promote believability. As Peter Jennings suggests his reporters put on gas masks and a crowd outside ABC chants “Tell the truth!”, the whole electronic parade speeds on much too fast to understand its own effect on the passive consciousness of its audience. “This species has amused itself to death.”


3 Hours


Another UFO (The Crops)

May 1994
Solo



My personal favorite among UFO associated phenomenon are the crop circles, being as they are some kind of pure graphic expression and a polar-opposite activity to the gory cattle pathology. As in the mutilations, UFO sightings have often accompanied the creation of crop circles. The circles, too, have been with us for 30 years, appearing all over the world in waves of more or less, increasing or decreasing in complexity, but never ceasing. Those of you who fell for the heavy coverage by a welcoming media of the English hoaxers explanation should think that through and listen to this. As usual, reality is discovered in the details. Careful comparisons of “authentic” circles with those clumsily created for the press by those two English guys show their hoax to be a hoax, though this sticky little follow-up point has never been widely reported. Science has begun to analyze these huge patterns pressed into mature grain fields overnight, and they turn out to have many unique properties apparently quite beyond our ability to duplicate. In at least some of the crop circles, each grain stem in the pressed pattern is sharply bent only once in a 90-degree angle at ground level, the stalks appear combed, and they stay down flat!


Occasionally single stalks remain standing straight up within a pressed pattern with no bend and no sign of ever being touched. Try that with a board and ropes, and then try it simultaneously on different continents. The flattened upper stalks are not even bruised. The grain stalks all “flow” around the design in the same direction and are actually interwoven in overlapping layers. Micro-analysis of the blackened plant tissue at the bend point shows unique molecular mutation somewhat similar to the effects of very intense microwave bombardment. There are no tracks or sign of equipment entering or leaving these immaculate impressions. Some speculate these sometimes simple, sometimes quite complex signs being imprinted in our food supply represent some kind of obviously intelligent “transmission,” surely intended to be noticed if not understood. As such, they present the most tantalizing and probably the most irresolvable of all the enigmas from possible Others, yet these gigantic, geometric grain sculptures remain to stare us down, beautiful enough to be art as we know it… This show dribbles over its edge into The Puzzling Evidence Subgenius Show in which Dr. Hal (Hal Robbins) and I discuss crop circles until the cassette runs out.


3 Hours


Another UFO (The Cows)

April, 1994
Solo



The 30-year mystery of cattle mutilations and their association with night sky phenomenon is probed, principally by George Knapp and Linda Howe in selected reports to Art Bell’s syndicated radio show, “Dreamland,” from Nevada. Howe’s persistent investigations of hundreds of these anatomically startling and obviously callous killings has produced many interesting patterns and a consistent M.O., perhaps suggesting that at least some of these represent the activities of a superior technology extending its interest in Earth’s genetic material down to lower life forms for purposes we can only guess at. If you have never connected the cattle mutilations with UFOs, be assured others have. Sightings of glowing objects at the time of these mutilations, sometimes over the field or range in question, appear to occur regularly.


Cattle are found, “Precision cuts, surgical, eyes and udders removed, no tracks, no prints, no blood (!), no signs of a struggle, no answers.” One eye will be surgically removed, One ear removed, the tail will be smoothly cut off at the tailbone, internal and genital organs are neatly removed, as well as “coring” and removing the entire rectal canal, doing all of this without spilling any blood, but sometimes draining all the blood from the body. There are no tracks at all around the carcass, even in mud or snow, and wild predators avoid this easy meal. Veterinary opinion finds the cuts and holes to be high precision, surgically knowledgeable, laser scalpel-like cuts accomplished with extremely high heat – hardly portable equipment, even for the local Satanic M.D. And there are hardly enough “Jack the animal rippers” to account for the number of these peculiar tissue, gland, and organ excisions which continue worldwide and unabated as the decades go by.


There are lots of associated sightings and more than one Johnny on the spot has seen a cow being lifted up into the night sky in a beam of extremely intense light, disappear into the bottom of a levitating craft, and be spit out shortly afterward to come crashing down through tree branches in the dark. And then there are those black helicopters hanging around the farmer in the dell… Most disturbing.


3 Hours


The Willsaphone Release Party

March 1994
Almost Negativland



The Weatherman shows up with his two bodyguards and a power book user to celebrate the official release of “The Willsaphone Stupid Show” double CD. This is one big on-air party, copyrighted crowd in the background and all. There’s ham jamming, CB remoting, green slime punching, an extremely rare appearance of the OTE Wheel of Fortune, and jokes made up right on the spot. They don’t come any more crowded than this.


5 Hours